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gh5s vs a7sii low light

The GH5s features a new 10.2MP chip whose megapixel count is rather low by today’s standards but helps the ISO performance, which is exactly the same concept behind the 12.2 MP chip of the A7s camera. 2 compatible cameras, it is more effective than the stabilisation of the Sony camera. They both features a magnesium alloy chassis. Both cameras feature a Log profile setting but the A7s II has two of them (S-Log2 and S-Log3) that are built-in by default to the camera. Beyond ISO 52,200 this becomes fairly dramatic. The A7s II, by comparison, might become more of a niche product for those who desire that full frame look and require more extreme low light performance. Enter your email and click the blue button below to open the subscription form. Both cameras produce beautiful image quality, but while the a7S II is renowned for its low-light capabilities, the GH5 packs loads of still and video features which, until now, were unseen on a mirrorless body. The bitrate is also superior with 150, 200 and 400mbps with IPB/All-Intra compression options (some available with the future firmware as well). Enter your email and click the blue button below to open the subscription form. So I thought: before we put it up against the a7S II, I have to put it up against the original GH5. Concerning the picture profiles, you can find two log gamma curves on the A7s II (S-Log2 and S-Log3) and one on the GH5s (V-Log L). The Sony can record at 120fps by comparison. We haven’t tested the GH5s yet but the improvements made to the GH5 are rather good so hopefully this should carry over to the S model as well. The A7III footage is rarely usable beyond 52,200, but I’ve frequently used A7SII footage at ISO 102,400 and sometimes up to 204,800. While one battery might not be enough for an entire day of shooting 4K, it definitely lasts longer than the Sony battery. As for connectivity, the GH5s again offers more versatility with a full sized HDMI port, audio in and out and a USB Type C port. Some examples of features found on the GH5 that you must pay for and download for the A7s II are: However, to Sony’s credit, there is a wider selection of features (around 33 at the time of writing) and the apps are being updated all the time. The mid-tones and shadows all appear rather dark in colour. The GH5 too combines sensor and optical stabilisation using a system called Dual I.S. The same firmware update will bring anamorphic 6K at 24fps to the Panasonic camera, letting you take full advantage of the 4:3 surface of the sensor. The GH5s features a new 10.2MP chip whose megapixel count is rather low by today’s standards but helps the ISO performance, which is exactly the same concept behind the 12.2 MP chip of the … Both cameras have a real-time LUT option to preview real contrast and colours rather than the flat look of the Log profile but only the GH5 has a waveform and vector scope built-in. The GH5s will retail for approximately $2500 / £2200 / €2550. The GH5 uses the same battery as its predecessor, the GH4, and it is one of the longest lasting batteries we’ve ever used on a mirrorless camera. Panasonic GH5S and GH5 side-by-side. Thanks! It's significantly cheaper than the a7sii and absolutely eats it for lunch. Published January 10, 2018 By Mathieu Filed Under: Preview Tagged With: Preview. The Sony A7s II might have better dynamic range and low-light performance, but when it comes to the rest of the specifications, the GH5 looks more impressive. I heavily researched both of these cameras and both cater to me very well. Some of them may well represent taking things to extremes, but some light may come out of these experiences… many centered on low light usage of the camera. So if for example I want to record at ISO 6400, the Lumix will amplify the gain from 2500 rather than 400. But in terms of bang for the buck, the GH5 is fantastic; waaaaay more robust than the a7sii. The GH5 will feature the Cine-Like D, Cine-Like V, Like 709 and Hybrid Log Gamma (HDR) profiles. In this scenario, one might assume that since the EVA1 has a larger sensor, it should perform much better than the GH5S in low light. The larger sensor allows for more dynamic range, and the fact that there are fewer pixels spread across a larger surface area means that each photosite is larger, enabling minimal noise and impressive sensitivity up to 102,400 ISO (expandable to 409,600 ISO). This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. Continuous shooting speed. The GH5s offers a normal range of 160 to 51200 ISO with extended values down to 80 and up to 204 800 ISO. The camera will also maintain a 4:2:0 8-bit option that will raise 4K recording up to 50/60fps. On one side, the Sony has a full sensor out the box, amazing low light compatibility and has image stabilization with S-Log. The A7s II uses 169 points and has a minimum sensitivity of -4Ev. The GH5s has a more well organised menu system with a My Menu page where you can shortcut your favourite settings, as well as a Quick Menu. The A7 III can shoot up to 10fps with continuous AF. Where mirrorless cameras go head-to-head! The Sony camera has 4K capabilities (UHD – 3840 x 2160) up to 30fps and 1080p video up to 120fps. Within the article, there are affiliate links. Low-light sensitivity, that is. The GH5s is the most robust camera of the two with a fully weather sealed body (dust, splash and freeze proof down to -10°C) while the A7s II is only dust and splash resistant. The GH5s and GH5 are, at the time of writing, the only two mirrorless cameras capable of 10-bit internal recording. To know more about our ethics, you can visit our full disclosure page. The 2x crop factor when adapting a S35 or full frame lens can be an advantage or disadvantage depending on the focal length and shot you want to achieve but speed-booster adapters can be quite handy for that if you don’t want to lose too much of the original angle of view of the lens. In my experience, the A7SII and A7III are very similar in low light up until around ISO 52,200. Thank you! Note that some cashback offers may be available in certain countries and at specific times of the year. The A7s II has a dedicated exposure compensation dial and 9 function buttons. The A7s II menu is more time consuming to navigate but the Fn menu with 12 editable slots is quite handy. The GH5 is the first interchangeable-lens camera to feature 4:2:2 10-bit internal recording, which means it captures double the colour information (4:2:2) and 64 times the colour depth (10-bit). The electronic shutter of the GH5 allows for a maximum 1/16,000 shutter speed, which is faster than the A7s II’s maximum speed of 1/8000s. The Lumix has better slow motion capabilities with a maximum of 240fps in VFR mode in Full HD. Link to post Share on other sites. Our experience with the Sony stabilisation isn’t 100% positive especially for video as the camera tends to produce some jittering and doesn’t match the performance of other systems such as the E-M1 II from Olympus. The GH5 features an upgraded version with more entries per page and a more elegant/minimalistic design. The GH5 has a range of 200 to 25600 ISO and extended “pull” values down to … The A7s II integrates in-body stabilisation with 5 axes. In this section, We are going to illustrate Sony A7 III and Panasonic GH5S side-by-side from the front, back and top in their relative dimensions. Other useful options you’ll find on the Lumix are waveform and vector scope monitors. Nonetheless, the GH5S should still be praised for its improved low light performance, despite the limitations of the Micro 4/3 sensor size on board. Concerning the connection options, the A7s II has a microphone input and headphone output as well as a Micro HDMI port. Using the Studio Scene tool over at DPReview, we an now analyze side-by-side comparisons of the GH5S and A7S II at various ISO levels. To know more about our ethics, you can visit our full disclosure page. Unsurprisingly we begin with one of the most important differences: the sensor size. If most of your photography or videography takes place in very poor light conditions, the A7s II is the obvious choice. Second, whereas the A7s II has a standard 3.0-inch tilting screen without touch capabilities, the GH5 comes with a multi-angle 3.2-inch touchscreen that flips out to one side. So the Sony has the advantage in low light, sure. Otherwise it is hard to find a more advanced hybrid camera for stills and video than the GH5, and the cherry on top is that, despite being a brand new model, it costs around $1000 less than the A7s II. This might not be too big of an issue if most of what you’re filming is well-lit. Next in the comparison is the Panasonic GH5S vs. the EVA1. The GH5 and A7s II both use a contrast detection autofocus system with minimum sensitivity of -4Ev. The A7s II sports a full-frame 12.2MP Exmor CMOS sensor. However it has a slightly higher magnification of 0.78x. To achieve these rather impressive specifications (for a Micro Four Thirds camera), the camera uses a combination of a low megapixel count and Dual Native ISO, a technology Panasonic has already employed on a few professional camcorders (Varicam35 and AU-EVA1). Please make a rolling shutter comparison between GH5S, GH5 and A7sII :) Like. It can work in conjunction with OSS lenses (3 axes on the sensor + 2 axes on the lens) and with manual focus lenses that don’t feature electronic contacts (3 axes only). Bigger is (generally) better. lenses. Imaging Resource compared the new GH5s vs the A7sII: “At both 12,800 and 25,600, the GH5S looks slightly better than the A7S II at the same ISOs, which is both unexpected and subjectively highly impressive for a camera featuring a sensor that is a fraction the size of the other. Within the article, there are affiliate links. Panasonic Lumix DC-GH5S vs Sony a7S II Log footage comparison. Feb 6, 2018 permalink. Distinguished for its impressive performance at high ISOs, the Sony A7s II can deliver usable results for stills and video up to 51200 ISO, with 102400 ISO being the very limit for extreme situations. Sony A7 III vs Panasonic GH5S: Physical Specs and Body features Comparison Size and weight is a big decision factor when you are trying to find the ideal camera for your needs. However, we cannot expect it to match the performance of the Sony, not only because full-frame sensors almost always outperform crop sensors in poor light conditions but also because the A7s II model was specifically designed for low-light work. Thanks! I know folks who own proper cinema cameras who were pretty floored that all those features ran for only $2,000. Finally the GH5s features two SD-card slots that are compatible with the UHS-II standard (faster writing speed). Instead of a single native ISO value, the GH5S has two: ISO 400 and ISO 2500. Of course 4K recording will drain it faster but it definitely lasts longer than the Sony battery. The XT3 does 120 at 10-bit, but it is automatically slowed in-camera. Last updated: September 15, 2020 Go to Comments. The GH5 houses a newly developed 20.3MP Fou… Fewer pixels spread across the surface means that they are larger, collect more light and produce less noise at high sensitivities than sensors with more megapixels. Our newsletter goes out every week on Sunday. If low light is my primary reason for switching, does the XT3 offer enough of an advantage over the GH5, or would it be wiser to go straight to the A7III? The A7s has a contrast detection AF system with 169 points (the nine central AF points are divided into 16 segments). GH5 vs A7S II: Low Light Comparison. Be careful when evaluating the GH5s vs A7sII low-light performance videos - look at both noise *and* detail, and look for scenes with movement rather than just locked-down static shots. According to Panasonic, the improvement is relevant for video recording too. Unlike most recent Lumix cameras, the GH5s doesn’t feature 5-axis stabilisation and must rely on the OIS of select lenses or third party stabilisation systems. Granted under some lighting conditions the Panasonic GH5S looks better sometimes, but most of the time the Sony a7SII looks slightly more detailed. Never has there been so much choice in the filmmaking world as there is today when it comes to compact systems capable of producing astounding video quality. It’s very unfortunate there is no option to turn of noise reduction, since it’s tough now to get a clean filmic look with natural fine film grain which the A7SII does have.

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